His clients were at home. He wanted developers in the UK
Eight years in, good at the work, and one channel that stopped working the moment it crossed a border.
Eight years in, good at the work, and one channel that stopped working the moment it crossed a border.
Drahoslav had been running his business for eight or nine years when we met. His clients were in Slovakia and the Czech Republic, and the work was solid.
He has a specific way of thinking about it, too. He builds visuals from the property buyer’s perspective rather than only the developer’s: who is going to live there, a family with two children or an older couple, and what they need to see. That is not a struggling artist. That is a professional with a real service and a real market.
The market was just too small for where he wanted to go, which was developers in the UK.
His client acquisition had exactly one channel: cold emails. It had found his first customers at home, so he ran the same playbook at the UK.
And he was carrying it alone. No other entrepreneur around him, nobody else in his circle building a visualization business. Every decision was a guess made in isolation, which is the part of this job nobody writes about.
Positioning first, so the right developers recognise themselves in the message. Then the portfolio book, built as a sales tool rather than as a gallery. Then the letters, then the follow-up.
In the Health Check he got the steps in order, and one sentence that mattered more than the plan: it is possible to change this situation.
One studio’s story tells you this works for somebody else. It cannot tell you whether it works for yours, because it does not know your market or your last twelve months.
Priced for the home market, selling to the world
A studio that had already paid for coaching, and got advice that only worked in the country they were trying to leave.
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